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9 UMMA Objects
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There is a tree on a fan paining with spring blossoms flowing from it. There is a person standing in front of the tree and grass surrounding the tree. On the right side of the painting, there is a signature and two seals.
Kishi Renzan
Spring blossoms at Arashiyama
1830 – 1859
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1964/1.97
This print shows four individuals. The woman standing on the left wears a long robe decorated at the bottom and carries a flowering tree branch over her shoulder. The woman on the right wears a green robe covered by a black outer-robe with white crests. Her head is covered in a black wrap. A woman squats beneath them with a baby on her back. She wears blue and pink robes.<br /><br /> Inscriptions: Ueyo (Publisher's seal); Kiwame + futakata (Censor's seals); Kunisada ga (Artist's signature); Iwai Hanshirō (Title) <br />  
Utagawa Kunisada (Japanese (culture or style))
The Scandalous Love of Osome and Hisamatsu: Iwai Hanshirō V in three out of seven roles, Osome's mother Teishō, Osaku, and Omitsu
1816 – 1821
Gift of Dr. James Hayes
2003/1.457
In this print, a young woman stands underneath a flowering cherry tree.  She wears dark purple and grey robes with pink and brown trim and lining.  Her sash is red and decorated with blue and green designs.<br />  <br /> Inscriptions: Artist’s signature: Hokuei ga; Publisher’s seal: Honsei; Chikiriya no Oume, Iwai Shijaku
Hokuei (Japanese (culture or style))
Iwai Shijaku [I] as Senginya O-ume (?) (young maiden, under blossoming cherry tree)
1831 – 1835
Gift of Dr. James Hayes
2003/1.591
In this print, a woman carries a large box on her back.  In her right hand, she has an unsheathed sword raised above her.  Behind her is a flowering tree against a night sky.  A cartouche at the top right hase faded markings in it.<br />  <br /> Inscriptions: Artist’s signature: Hasegawa Sadanobu ga; Publisher’s seal: Ten, tenki; Shiorite, Iwai Shijaku
Sadanobu
Iwai Shijaku [I] as Shiorine (?) (female dressed as an itinerant monk, with sword raised)
1831 – 1835
Gift of Dr. James Hayes
2003/1.600

Ralph Gibson (American (North American))
Cherry Blossoms, from "Color Nature Landscapes II"
1983
Gift of Marilyn and Leon Sokol
1985/1.90.6
Print of branch with cherries.<br /><br /> Eva Caston 2017
Warren Lombard (American (North American))
A Cherry Branch
1932
Gift of Prof. and Mrs. Alfred H. White
1940.73
In this print, a man looks to his left, hunched over and grasping a sword in his left hand. His right hand is raised above his head. He wears a red robe with large pink flowers on it. A purple overcoat, trimmed in black and patterened with white squares hangs from his waist, partially removed. A second sword is visible under his arm. At the right edge of the print is a yellow mat trimmed in light blue and black.<br /><br /> This is the left panel of a tryptich (with 2011/2.199.2 and 2011/2.199.3).<br /><br /> Inscriptions: <em>Kuruma biki no dan</em>, Sakuramaru (Text); Kuniyoshi ga (Artist's signature); San, Ibasen han (Publisher's seal); Mera, Murata (Censors' seal)<br />  
Utagawa Kuniyoshi (Japanese (culture or style))
Sugawara no Michizane and the Secrets of Calligraphy: Ichimura Uzaemon XII as Sakuramaru
1850
Gift of Sharlynn and Andrew Circo, in memory of Sotokichi Katsuizumi
2011/2.199.1
This is a folding fan with showing a small house behind a hill on its front side. The house has three different trees on the right side. Text runs vertically along the fan on the far left. The reverse of the fan shows a red bird perched on a small branch with redish cherries and blue flowers or leaves behind. Another small branch is above with text on the far left. 
Jin Cheng;Jin Zhang
Landscape after Gong Xian
1918
Museum Purchase made possible by the Richard K. Beardsley Memorial Fund, supplemented by the Friends of the Museum of Art
1980/1.223A&B
An album of 28 pages. Cover is brown with a faded image at the center, possibly of leaves on an off-white background. The inside of the album primarily contains hand-written text, though some of the text has faded images in the background, and some of the pages are completely images. The first page depicts a seated man in formal attire. and across from him is a seperate painting of a landscape with green mountains. Other images contained within are of various topics with various colors and styles.
Sakai Hōitsu
Album of Letters and Sketches, with Poet Portrait as frontispiece (28 pages)
1800 – 1828
Museum Purchase
1968/2.55
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